SONYA LUCAS ART
MONSTER
This started as a comic book project. I learned to draw as a child by collecting change from the couch where my dad would sleep in Richmond, Virginia, and purchasing X-Men comics at Blair's drug store. I would meticulously trace Jim Lee's illustrations, and during times of family turmoil, art became my refuge. Embracing the comic format gives me greater control over the that linger, allowing me to transform experiences into beauty and regain a sense of power over moments when I felt overwhelmed by chaos.
ON THE SUBJECT OF GRIEF
Several months ago, as I embarked on the development of this show, I began to reflect on my personal narrative, particularly the trauma associated with growing up between guardians and leaving at 17 to live with my teacher, whose family subsequently adopted me. Recently, I experienced the passing of my birth mother, with whom I had been estranged for many years. Our relationship was marked by cycles of shame and blame; she never accepted responsibility for abandoning her children or for the abuse we suffered in our early years, often seeking contact only when it was convenient for her. Her death was unexpected, and I found myself navigating a complex mix of emotions—loss, sadness, and even relief—which ultimately inspired the creation of this painting as a means of processing those feelings.
RESTING PLACE
My grandmother, a steadfast source of positivity in my life, passed away in 2021. In her final moments, she requested that I create a painting of an eastern bluebird, her favorite bird to observe from her sewing room window. I believe that grief serves as a lasting sanctuary for love, residing within us. Women, in particular, appear to possess a profound understanding of the cyclical nature of grief, reflecting their deep connection to this experience.
